For Teachers
Premiers' Reading
Challenges
Crocodile River
illus Danny
Snell
South Australia Reception to 2
Notable Book, Children's Book
Council of Australia
Whitley Award, Royal Zoological Society of NSW
The picture book format invites the youngest curious naturalist to explore all
aspects of a [saltwater] crocodile's life, from hatching to
adulthood...Danny Snell's paintings contribute to the sumptuous quality of the book.
Magpies
To access Teachers' Notes for Crocodile River click here
Paraphernalia's
Present
illus
Dee
Huxley Victoria
Prep to 2
South
Australia Reception to 2
New South Wales Years 3 and 4
Queensland Prep to 4
Notable Book, Children's Book Council of Australia
...an endearing tale about loneliness in a busy
world, friendship and
eggs – lots of
eggs...a beautifully constructed tale. This is a warm and delicious book. The Canberra Times
It's True! Your Hair Grows 15 Kilometres a Year illus Leigh
Hobbs Victoria Years 5 and 6
South
Australia Years 3 to 5
NSW
Years 5 and 6, 7 to 9
Refreshing, informative, entertaining...engrossing reading,
generally serious but not without amusement. Aimed at the primary school readers, the books have another
market – the [It's True!] books are enough to drive a busy teenager to read. Magpies
It's True! Your Bones are Stronger than Concrete illus Geoff
Kelly Victoria
Years 5 and 6
South Australia Years 6 to 9
From the utilitarian...to the
terrifying...or the plain gruesome...a fascinating compendium of bones in their scientific, social and cultural
aspects. Magpies
Illustrations from the above books are
reproduced courtesy of the artists
Guide Dogs from puppies to partners
Victoria Years 3 and 4
South Australia Years 3 to 5
NSW Years 3 and 4
Shortlisted, Children's Book of the Year Awards, CBCA
Shortlisted Henry Berg Awards, USA
An
exemplary information book. Glowing photographs complement the text perfectly. Reading Time
Inside The Australian
Ballet Victoria
Years 5 and 6
South
Australia Years 6 to 9
NSW
Years 5 and 6, 7 to 9
Honour Book, Children's Book of the Year Awards,
CBCA
Highly
readable for the ballet afficionado and novice alike. A fascinating insight into our internationally
acclaimed ballet company. Magpies
A
beautiful book well matched to the grace and elegance of the
ballet. Contains a wealth of primary source
material. A must
for primary school reference libraries. Reading
Time
Teachers' Notes
for Crocodile
River reproduced by kind permission of Janet
McLean, and by Jane Covernton, publisher, Working Title Press

Crocodile habitat
Yellow Water, Kakadu National Park
Northern Territory
TEACHERS' NOTES
By Janet McLean
Title:
Crocodile River
Author: Diana Lawrenson
Illustrator: Danny Snell
BACKGROUND
INFORMATION
Author:
From the age of
seven Diana Lawrenson found she could supplement her pocket money by having items published on the children’s
page of a Melbourne newspaper. Strangely, when she left school, a writing career never occurred to her. Instead
she trained as a nurse and midwife. She worked at a remote hospital in the Solomon Islands where she wrote
letters by Tilley lamp whenever the generator failed – which it often did for months at a time. Later she took
positions in London, but gave up nursing shortly before her children were born. When they were small she began
writing for magazines and newspapers, but it was not until her son and daughter had grown up that her first book
was published. Most mornings Diana walks before breakfast to think about developments or fix problems in
whatever book she’s working on. She is the author of a number of non-fiction titles, including It's True! Your Bones are Stronger than Concrete and It's True! Your Hair Grows 15 Kilometres a Year as well as two picture books
Pickle, the Perfectly Awful Pig and Paraphernalia’s Present. She
lives in Melbourne with her husband.
Illustrator:
Danny Snell grew up in Adelaide, and trained at
the Central School of Art and the University of South Australia before graduating with a Bachelor of Design
(Illustration) in 1992. His first major picture book Whose Tail Is That?, written by Christine Nicholls, was shortlisted the
following year for the Children’s Book Council’s Crichton Award for first time children’s book
illustrators. His second book, the best selling Bilby Moon written by Margaret Spurling, was nominated as a Notable Book for
2001 and shortlisted for the 2001 Kids Own Australian Literature Award (KOALA). Since then he has illustrated as well as The Long Way Home by Emily Rodda, Scary
Bear by Tania Cox and Seadragon Sea, also written by Margaret
Spurling. He lives in Adelaide with his partner Louise and his two
daughters, Leilani and Daisy.
SYNOPSIS
Crocodile Riveris the story of a saltwater crocodile named Cranky and her
struggle to survive and to grow big enough to find a safe place of her own to live. One day when Cranky and her
brothers and sisters are big enough their mother leaves them to look after themselves. As Cranky searches for a new place to live she must catch her
own food, make sure she doesn’t get too cold, hide from other crocodiles and hunters, and not get lost. At last, after an eventful journey she finds
a perfect place to live where, one day, she will lay her own eggs.
WRITING
STYLE
Crocodile
River has a sequential narrative structure -
establishing the setting, introducing the main character, setting up a problem to be solved, and concluding with
a satisfying resolution. From the start Cranky is faced with a series of problems that threaten her survival.
The tension of the story is heightened when Cranky must survive on her own. This is a turning point in the
story. From here on Cranky is faced with many problems - finding her own food, avoiding other crocodiles, hiding
from hunters, being lost in the ocean. Another turning point occurs when Cranky finally overcomes all of these
hurdles and reaches her own safe place. The use of expressive words and phrases, and poetic language create
strong “word pictures” which heighten the tension and emotional impact of the story “Mother Crocodile scooped the hatchlings into her mouth…” “She lunged at the sea
eagles swooping from the sky for snacks.” “(Cranky) swam off by herself along the wide and murky
river”. “She swallowed snakes. She gulped
goannas”.
The crocodile facts on the endpapers are a
delightful feature of Crocodile River.
ILLUSTRATIONS
Crocodile River posed a few challenges for Danny Snell, most notably being how to make the
crocodiles 'likable' because by nature they aren't cute and cuddly creatures. He says “I wanted the mother croc to have a certain softness as she cared for her young
- gently carrying them in her mouth and watching over them as they explored. And the babies needed to be accessible and cute without becoming
a caricature”.
Danny Snell used acrylic paint on watercolour
paper for the illustrations in Crocodile River. The design of the
book alternates between focused events on a single page, and broad sweep double page spreads which bleed from
the edges. The illustrations on the single pages give a more intimate understanding of the characters and of
specific incidents. For example the picture on first page succinctly captures the mother crocodile’s protective instinct - within the ragged edge of
the enclosed, earthy background, she curls around her eggs to keep them safe. By contrast the following double
page spread provides a broad landscape view, placing the crocodile in a lush and potentially dangerous setting. Danny Snell uses colours
that evoke the land, sky and water of tropical northern Australia - varying dark and
light shades of blues, greens, pinks, ochres. The
illustrations capture the drama of the Cranky’s quest for safety - pictures of Cranky looking for her own food,
hiding in the mangroves, fleeing from other crocodiles. Cranky’s confrontation with the huge crocodile in the
dark water at the bottom of the river is particularly dramatic. And the broad sweep and lightness of the next
illustration (also a double page spread) provides a sense of relief and hope.
DISCUSSION POINTS AND ACTIVITIES
• Crocodile
River is a story about a saltwater crocodile. Diana
Lawrenson says: “The story was inspired by my uncle who lived for sixty years in the remote Gulf
District of Papua New Guinea. When I was a small girl in suburban Melbourne, he came south on leave and told me how
he hunted saltwater crocodiles. He conjured images of being aboard his boat at night, cruising along murky,
tropical rivers, searching for crocs. That sense of danger and excitement returns whenever I think of
him”.
• Diana Lawrenson visited crocodile farms and used books and the Internet to
research saltwater crocodiles. You can use these methods too. Look for more stories about crocodiles, told by
people who have first hand experiences.
• She travelled to the Northern Territory to see crocodiles in their natural
habitat. In the Northern Territory there are a number of places that are home to saltwater crocodiles, including
Yellow Water in Kakadu National Park, the Adelaide River and the East Alligator River. Find out where you can go to
see crocodiles and visit if you can.
• Find out more about crocodile hunting. Is it different now than in the
past?
• In the early 1970s saltwater crocodiles became a protected species in Australia
and crocodile farms were established. Why did crocodiles become protected?
• Find out more about crocodile farming. Where are crocodile farms situated? What would you see on a crocodile farm? Why
are the crocodiles farmed?
• While doing research for this story Diana Lawrenson discovered many interesting
facts about crocodiles. She could not weave everything into her story. She says, “So rather than include a plain page of crocodile facts at the end, my publisher came
up with the idea of placing them in colourful combination on the end-papers”.
• Using information you have found out from the book make posters or friezes about
crocodiles. Different posters could include information about eggs, hatchlings, nests, habitat, eating habits,
physical characteristics, dangers.
• Illustrate the posters / friezes using the style and colour palette of Danny
Snell’s pictures.
• Before starting the
final drawings for the book Danny Snell gathered as muchreference material as he could, including a couple of trips to the zoo, to drawing lots of
crocodiles and gradually teasing out aspects of their character - working out how to make them look happy,
sad, angry, nurturing etc.
• Follow this same
process – find out as much as you can about crocodiles – facial and body features, shape, etc. Like Danny
Snell make lots of rough sketches. Concentrate on depicting body language and facial expression that shows
anger, sadness, happiness, nurturing, etc.
• When you are happy
with a character lightly trace the image on to some good paper andthen, as Danny Snell does, add further detail and tone with a pencil and watered down paint.
Finally add colour to refine the image.
• Draw expressive pictures of hatchlings and adult crocodiles depicting them in
different situations - at rest, lunging for prey to eat, fleeing danger
• Crocodiles do not cry tears of sadness,
but they do produce tears which are thought to clean their eyes. Talk about why pretend tears are called crocodile tears.
• Look for other stories, poems and songs about crocodiles. Examples include Lewis
Carroll’s How doth the little crocodile? and, If you should meet a crocodile; Look at the terrible crocodile; Please Mr. Crocodile
can we cross the water? Many of these can be played as group action songs or finger games.
• When Diana Lawrenson was working as a nurse in the Solomon Islands, she wrote
letters by a Tilley lamp, whenever the generator failed. Find out: Where are the Solomon Islands? What is a Tilley
lamp? What is a generator?
• Diana Lawrenson had two crocodile experts, Dr Adam Britton and Dr Simon Stirrat,
confirm the material she wanted to include. Dr Adam Britton’s website about crocodiles: www.crocodilian.com
.jpg)
Mature saltwater crocodile, East Alligator River, Northern Territory
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